Exploring the Queerness of ‘I Saw the TV Glow’ and the Impact of Buffy on Director Jane Schoenbrun

The film “I Saw the TV Glow” is a poignant exploration of growing up as a lonely, fantasy-obsessed kid in the ’90s, resonating with audiences regardless of their familiarity with Buffy the Vampire Slayer. Directed by Jane Schoenbrun, the movie follows the unlikely friendship between Owen and Maddy, two outsiders bonded by their love for The Pink Opaque, a fictional fantasy/horror series reminiscent of ’90s classics like The Adventures of Pete & Pete and Are You Afraid of the Dark?

Schoenbrun’s film delves into the themes of queerness and self-identity, drawing inspiration from the works of queer theorists like Eve Kosofsky Sedgwick. The director explains that the ’90s TV shows, while not always openly addressing queerness, played a significant role in helping a generation of queer individuals recognize themselves.

In a recent interview, Schoenbrun shared insights into their personal connection to Buffy the Vampire Slayer, highlighting the impact of episodes like “Becoming, Part Two” on their own journey of self-discovery. The director also discussed the characters of Owen and Maddy in “I Saw the TV Glow,” portraying them as representations of pre- and post-transition selves.

The film’s exploration of memory, nostalgia, and the evolving perception of childhood favorites as adults adds depth to the narrative. Schoenbrun’s vision for the larger project, including the Screen Trilogy and the upcoming “Public Access After World,” promises a rich and immersive storytelling experience that delves into themes of transition, becoming, and the quest for authenticity.

As Schoenbrun continues to develop their ambitious projects, audiences can look forward to a thought-provoking and visually captivating exploration of identity, queerness, and the blurred lines between reality and fiction.